![]() ![]() “Suburban Junkie Lady”, meanwhile, is a character sketch that’s sung with genuine warmth. Someone called “Whopper Dave” winds up with a donut to the head. Royal trux white stuff drivers#“South Californian drivers are the 19th wonder of the world!” goes “Purple Audacity #1”, a simmering funk excursion that finds Hagerty whipping up wild peals of guitar feedback. “I got a baseball bat and a handful of nails!” the pair holler on “Under Ice”. Royal Trux are kind of like The Fall in the respect that it’s hard to get a handle on what any given song might be about – they speak a language that’s all their own – but great lines pop up over and over, like bugs splatting on a windscreen. It goes without saying that this is a pretty singular brew. And firing through everything is the pair’s unmistakable chorus, Hagerty’s stoner drawl and Herrema’s wildcat yowl weaving in and around each other like a pair of drunks on the dodgems. “Year Of The Dog” and “Under Ice” feature translucent keyboard washes and distorted electronics that arc across the frame. Royal trux white stuff free#Hagerty’s guitars chunter and wail, sometimes echoing classic rock moves, other times wandering off on weird melodic tangents inspired by Ornette Coleman’s philosophy of harmolodics, the jazz saxophonist’s attempt to break free of conventional musical notation into new realms of raw expression. Weirdly recorded, weirdly mixed, their take on rock music feels mutant, radioactive – the equivalent of that three-eyed fish from The Simpsons. White Stuff – the first studio album since Royal Trux’s reformation – is a reaffirmation of the group’s core values: the raw thrill of rock’n’roll, and the realisation that trash, when looked at the right way, can appear a kind of treasure. Order the latest issue of Uncut online and have it sent to your home! Royal Trux were officially back on the road. Instead of getting mad, she got in touch, the pair got to talking – and in 2015 they made their live return at California’s Beserktown Festival. In 2012, Hagerty was planning a live re-enactment of Royal Trux’s notoriously out-there 1990 double LP Twin Infinitives when Herrema got wind. Hagerty’s work under the name The Howling Hex, meanwhile, felt firmly rooted more in Trux’s more haywire, experimental side. Herrema’s subsequent band RTX – later renamed Black Bananas – channelled more than a little of Trux’s dissolute hard-rock energy. But in the years following their 2000 swansong Pound For Pound, there was the lingering sense that Neil Hagerty and Jennifer Herrema never quite put thoughts of their former group behind them. To be fair, it did knock them out of commission for a little over 15 years. ![]() Collapsing major-label deals, a disintegrating marriage, a quantity of drugs that would make Hunter S Thompson demur – Royal Trux have been through things that would have killed many bands stone dead. ![]()
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